Band of the Week: Mandala, Plurals, & more!

Well, would you look at that? I actually remembered Band of the Week for a change. Considered renaming it "Band of the indeterminate time period" but it just sounded silly... Anyhoos, onwards.

First up we have English instrumental duo Mandala. Scrummy proggy, metally brilliance. Seriously good. Here's new single Wind Secular:


Next up, more instrumental prog metal stuff! Woo! This time from Belgian project Plurals. Have a listen to the Inner Planets EP, which is currently a free download:


Then we'll have the new (ish) track from Aamir al-Loki because I only remembered it existed last week. New EP should be coming soon, so that's also pretty awesome.


Next, I think we'll have Harlequin Jones. Dark cabaret loveliness. Yum. Check out The Bad Beginning:


Finally, not really a band, but I just had to share because they're absolutely brilliant - the re-issue label Dust-to-Digital. They take old recordings, digitise them, then release them as CDs and I have found some most delicious stuff on their BandCamp. For the purposes of this post, let's have this, which is the first disc of an album of upright bass tracks:

Current Love: Fight Like A Girl by Emilie Autumn

OK, so my plan to get this blog back to some sort of proper schedule seems to have failed epically. In good news, I still have a lovely long list of bands to write about so there's still hope. For now though, I intend to squee over Emilie Autumn's just-released new album. Hurray hurray.

Where do I start? Well, Fight Like A Girl is a great mix of styles blending the best bits of previous albums, faery-inspired Enchant and the more industrial Opheliac. It's important also to note that this is very much a concept album, regarding The Asylum, previously covered in her semi-autobiographical novel The Asylum for Wayward Victorian Girls. It's dark (Take The Pill), slightly sick (Girls! Girls! Girls!) and sometimes downright creepy (Scavenger). Opening with the call to arms of title track Fight Like A Girl, the album descends into the depths of hell that is The Asylum, touching on the sinister goings-on of the resurrection men as it does (Scavenger again). All that darkness aside, the album finally ends on something of a lighter note, with the march of One Foot In Front Of The Other and in amongst the heavy beats there are softer, if rather sad moments, with the beautiful Gaslight. All in all, the album has shaped up to be, potentially, Autumn's best yet. It certainly lends itself to the theatrical style of her live shows and who knows, maybe she'll manage to fulfil her plan to write a musical.

Stand out tracks include the typically EA-style (if I'm going down, you're coming with me) If I Burn, the haunting Gaslight, the carnival atmosphere of Girls! Girls! Girls! and the creepily slow drone of Scavenger. And now I'm going to shut up, because I have a horrible urge to squee and gush about every single track. Go look it up HERE where you can also listen to samples of tracks.

Band of the Week: Slowcoaches, Luminal and more!

So, I initially debated doing a weekly/monthly "Bandcamp Finds" type thing, but we all know I'm useless at actually remembering to post things, so we'll just stick with the semi-regular Band of the Week. With lots of Bandcamp-discovered goodness included.

This week's kicks off with lo-fi indie rockers Slowcoaches. Another band I found through the apparently excellent Tye Die Tapes. Their new EP is released tomorrow, after which they're going on tour round the UK. Check out said EP, We're So Heavy:




Next up, Maryland based Luminal. Indie rock with synths, mainly. The vocals can be slightly awkward in places, but the music's pretty cool. Check out the album Overdraft, which is free download from Bandcamp.




Following them, I think we'll have Special Benny, sort of ambient, indie-electro-ness. Oddly (or perhaps not), I found out about them through the hit BBC children's programme Horrible Histories. I figured I'd look up the cast, just to see what else they'd done and discovered that one of them was also in Special Benny. So I looked them up and pretty much fell in love. So here we have Toys:




In relation to this, I found that the same cast member, Mathew Baynton, also has a solo project under the name Dog Ears. Beautiful acoustic indie-folk type stuff. Mrs Winchester is a personal favourite, but let's just post the entire So It Goes EP:




And finally, let's have She Makes War, indie gloom-pop loveliness from Laura Kidd. Her new album Little Battles is due out at the beginning of April, but for now have a listen to last album Disarm. It's available for "name your price" download on Bandcamp. I.e., you can have it free if you want, but I recommend paying something for it - it's very much worth it.




Think that'll do for this week. Have a listen and pass it on.

Band of the Week: more random discoveries!

Not Bandcamp discoveries this week (well, maybe a couple), but hurray for random 'net treasures.

First up (and yes, I know I've mentioned her several times before, shush), the delightful Aamir al-Loki. Goth-electro-pop. Check out her video for Don't here:

Next up, Fairy Meds. Female fronted punk rock. Another random Bandcamp discovery.

(tis free download, by the way...)

And then... let's have letlive., who I've also mentioned a couple of times before in relation to their amazing live show. Progressive post-hardcore loveliness. Here's the latest video for Muther:

Next we'll have Cloudkicker, which is another Bandcamp discovery. Instrumental metal. Great for sticking on while working, I find. Let's have Discovery, since that's the album I actually have. There's loads of them though. The title track of this one is especially awesome.

(all of his albums are free downloads, if I remember rightly...)

How many's that? Four's not enough, surely?Ahh, I know what we can finish with. I rediscovered this piece of awesomeness last week and completely forgot to share. This is Pistol Youth's acoustic cover of Flo-Rida's Low. It's rather brilliant, as are Pistol Youth in general. Indie/alternative rock.

Off you pop.

Review: Emilie Autumn at Nottingham Rock City, 10/3/12

"Tell me no stories and I'll tell you no lies..."


(Please note that the beginning of this review was written earlier today while I was killing time waiting for the train. Hence any random asides. Feel free to ignore bracketed stupid comments. Anyone not wanting to know setlists should look away NOW.)


I attempted to draft this last night, but my pen died so here goes attempt 2:
Sitting in the sun outside Nottingham Castle (which looks nothing like the one in Robin Hood, by the way), the intensity of last night's show seems a long way off. However, given that my legs ache like hell and I'm still rather gig high, now seems as good a time as any to try to capture the emotion.

This show marks the first time I've ever really queued for a gig, which should be a good indication of how much I love Emilie Autumn. After queuing for two and a half hours for doors, then another hour and a half waiting inside, I was beginning to get fed up. I'm not a patient person at the best of times and combined with my fear of crowds, my patience almost snapped after a teasing false start. The situation was remedied ten minutes later with the most dramatic entrance I think I've ever seen. Against the electronic tones of "Best Safety Lies In Fear" the Bloody Crumpets took to the stage. The Bloody Crumpets being Captain Maggots, the Blessed Contessa and the Naughty Veronica. Emilie Autumn's... fellow cast? We'll get onto that. Last to grace the stage - Queen of Rats, star of the show, Emilie Autumn. As "Best Safety..." segued neatly into Four O'Clock, the show got well and truly under way.

(and now at Nottingham Station)

I'm tempted to to a run down of the whole show, track by track because it rather needs it to capture just how theatrical it was. However, that isn't how reviews are supposed to work, so let's just pick out the important bits. The set was heavy on new, as-yet-unreleased tracks from upcoming album Fight Like A Girl. Normally this irritates me, but the point of this tour is as a sort of album preview, so we'll let that slide. Besides, they were pretty great tracks. "Girls, Girls, Girls" has a wonderful dark carnival vibe, while Gas Light harks beack to EA's Enchant album. My personal favourite of the new tracks though has to be Time For Tea. Sounds lovely, yes? Dainty, yes? Think again.

What's different about Emilie Autumn's shows (at least compared to what I've personally seen before) is this: this is music as theatre. It's not just a group of people on stage playing music.

(and I think I just saw someone who was at the gig. Going by the attire, anyways)

Where was I? Ah, music as theatre.

(aaaand change platforms)

Music as theatre. Probably most noticeable on "Girls, Girls, Girls", which involved EA playing the role of guide in a tour of The Asylum, with the Bloody Crumpets as inmates.

(getting sidetracked by station stuff. Will resume once on train)

(ohmygod, I just saw a train leave the station exactly on time)

Ahem. It's now more than 3 hours since I got off the train and it's proving a little difficult to pick up my thread. Right, music as theatre it is. Well, we sort of covered that. Then there's the fact that not the entire show is songs. Each Crumpet got their own little segment. Captain Maggots introduced everyone (eventually. She rather struggled with Contessa). The Contessa lead the audience in a (supposedly) mystical chant involving something to do with fingers and toes which lead into the opening of God Help Me (wonderful track). Veronica, who has a background in burlesque if I remember rightly, performed a gorgeous feather fan dance to EA's instrumental track "Dominant" and then proceeded to 'corrupt' a pair of fans in the fan favourite Rat Game. (Look it up). Finally, Captain Maggots got a second shot at the limelight with some fantastic fire-hula-hoop-dancing-thing. There was fire. And hula.

This review has turned into a non-review and is in severe danger of degenerating into random babble, so let's bring it to a close. Closing the main set with new track One Foot In Front Of The Other (actual title? Maybe not.), the ladies left the stage to applause and shouts for more. So of course there was the inevitable encore, which consisted of two piano led tracks - the beautiful Mad Girl and then Thank God I'm Pretty which turned into an audience sing-along. Finally, the Crumpets rejoined EA on stage to perform a sort of farewell dance and when they finally left again the house lights came up to Monty Python's classic "Always Look on the Bright Side of Life" which resulted in another audience sing-along and a lot of very happy fans. The only fault I can find is that the music was almost entirely played from a backing track, but given that it's very electronic based, I can just about forgive that. Besides, the theatrics more than made up for it and EA's voice is pretty much perfect live.

That'll do, yes? Here follows a just about correct setlist - some bits (in the middle especially) might be in the wrong order, but it'll do.

1. Best Safety Lies in Fear (instrumental/sampled)
2. Four O'Clock
3. Dr Stockhill (spoken word) <- I'm informed this is the title, but might be wrong
4. Fight Like A Girl
5. Time For Tea
6. How To Break A Heart (poem)
7. The Art Of Suicide
8. Liar
9. Take The Pill
10. God Help Me
11. Dominant (instrumental)
12. Girls, Girls, Girls
13. Rat game
14. We Want Them Young
15. Gas Light
16. One Foot in Front of the Other
17. Encore: Mad Girl
18. Encore: Thank God I'm Pretty

Spread the Plague...

Oh, did I mention there was tea, biscuits and cake flying around? What other reason do you need to go to a show?

Band of the Week: Emilie Autumn

Finally! Finally, I have got round to making a post about the woman who is quite probably my favourite musician EVER. And all it took was the fact that I'm seeing her live this coming Saturday. One second, flailing is required.

EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!

Ahem. Moving on. So, an introduction to the world of Emilie Autumn. There is much in the way of classical influences, electronic violin and romantic literature references. Oh, and tea. There is always tea. The music is self-styled "Victoriandustrial". Take this to mean electronic-based with a lot of classical influence as just mentioned. Do not expect to find any actual industrial, although she does come fairly close. To be fair, a lot of Ms Autumn's music is closer in style to darkwave or ethereal wave than to industrial (for which read: not close, but closer than industrial) and on the Enchant album, the style swings all over the place from jazz to tango to various rock elements. So, instead of tangling myself up in knots trying to define exactly what Emilie Autumn does, let's just have some samples, shall we?

From Enchant, check out How Strange, Chambermaid, Second Hand Faith, Castle Down and What If.

From A Bit o' This & That, check out By The Sword and the cover of Monty Python's legendary Always Look On The Bright Side Of Life.

From the Liar/Dead Is The New Alive EP, check out Mad Girl.

From Laced/Unlaced, check out Unlaced, Manic Depression and Face The Wall. (not such a fan of the classical half of the album. Classical's not my thing.)

From the 4 O'Clock EP, check out Organ Grinder.

From the Girls Just Want To Have Fun/Bohemian Rhapsody EP, check out Gentlemen Aren't Nice.

And from the last album Opheliac, check out Shalott, Dead Is The New Alive, I Know Where You Sleep and Miss Lucy Had Some Leeches.

Think that'll do, yes? Oh, one last thing...

Not quite one last thing, cos I just remembered this.

Atrocious quality, but it's Emilie Autumn. Emilie fucking Autumn in a fucking bath. Singing. *fangirling*

Seriously done now.

Band of the Week: Bayside, Nine Inch Nails, Enter Shikari

'K, so Band of the Week is getting a bit revamped. And by that I mean simply that I am a lazy cow who very rarely remembers to write a post about a single artist. As such, Band of the Week is going to become more of a feature jobby, showcasing random stuff that I've found in the last week or so. I'll probably still forget to post, but it's worth a try. Anyways, on with the show.

Firstly, Bayside. I've known about them for a few years now and have always loved their song Masterpiece from the album Sirens and Condolences. However, me being me, totally kept forgetting to check them out properly. And then they played at Soundwave in February so I thought they deserved my attention properly. Then I promptly forgot again and then last week I got Sick, Sick, Sick from their latest album Killing Time stuck in my head so I bought the album. Suffice to say, it's made of awesome.

Also, rambling paragraph is rambling. Bayside are pretty much straight up rock. Really good, makes you want to move sort of rock. Sick, Sick, Sick is a good example as is Seeing Sound (also from Killing Time).

I've mentioned Nine Inch Nails before and they hardly need mentioning again, but I got hold of The Downward Spiral and Pretty Hate Machine this week and felt the need to gush about them. I love them. Not entirely sure why I didn't check 'em out sooner. Anyways, have a listen to Heresy, Closer and Reptile from The Downward Spiral and Head Like A Hole, Terrible Lie and That's What I Get from Pretty Hate Machine. TDS is a bit heavier than PHM, but they're both awesome. Good industrial rock. The video for Closer is also pretty cool. Weird, slightly disturbing, but cool. And Trent Reznor was hot when he was younger.

Finally, Enter Shikari. I LOVE Enter Shikari. Anyhoo, found out this week that they're playing at my uni in October so guess who's excited? Enter Shikari are not everyone's cup of tea. They play a peculier brand of electronic post-hardcore often labelled as trancecore for it's dance influences. It's not a combination that goes down well with everyone and I know some fans now are getting annoyed because their more recent work is heavily dubstep influenced. That said, I still love them. They put on an amazing live show and they're very much worth checking out. Try Adieu, No Sssweat, Mothership and Labyrinth from Take To The Skies, Zzzonked, Antwerpen and The Jester from Common Dreads and the two latest singles Destabilise and Quelle Surprise. Love the Zzzonked video - I was at that gig (trying my hardest to avoid falling in the numerous mosh pits).

That'll do, right? Check it out, let me know what you think and pass it on.

Current Love: Fame And Loathing by Kimberly Freeman

First single from the wonderful Kimberly Freeman's forthcoming album. Going in a bit of an electronic direction with this one and I love it. Plus, the video is just awesome. And I may or may not have downloaded the remix stems just to see what they sound like. I'm in love with the bass track. Maybe I'll try my hand at remixing it, but I wouldn't know where to start. No harm in trying though, right? Anyways, check out the video below and then head on over to BandCamp to download the single.

Oh, and if you search YouTube for "Fame and Loathing" it pulls up a whole bunch of fan remixes. Going to check 'em out now, I reckon you should too.