Kerrang! Relentless Energy Drink Tour 2012: New Found Glory, The Blackout, letlive. and While She Sleeps
Where to start with this wonderful gig? Well, the beginning would be a good place. Even better, let's start before the gig even kicked off. Two weeks before the tour, original headliners Sum 41 pulled out due to their vocalist having a back injury. All well and good, but the organisers then had to find a replacement at two weeks notice. Welsh post-hardcore guys The Blackout stepped in. Cue the shit slinging. Seriously, so much hate. Ah well, I personally prefer The Blackout over Sum 41, but I can understand that a lot of people were disappointed.
Moving on to the actual gig. Sheffield metalcore mob While She Sleeps kicked off proceedings with an amazingly slick set, powering through their tracks non-stop save for occasional instructions from frontman Loz to open up the pit or to engineer a wall of death or two. From experience, music of the While She Sleeps variety has a tendency to sound a bit messy live, but this really was brilliantly polished - great vocals, strong guitars and an immensely powerful rhythm section.
Next up was L.A. progressive post-hardcore crew letlive. who really got the crowd moving with their infectiously catchy, wonderfully raucous music. Once again, frontman Jason Aalon Butler got told off by security for climbing on the speaker stacks, but the highlight was undoubtedly the segue from a Black Flag cover to fan favourite "Muther". As I posted on my Twitter last night: words cannot describe how much I love Muther and it's infinitely more amazing live.
Following letlive.'s set there was something of a mass exodus from the LCR. I am going to put this down to the vast number of people who whinged about The Blackout playing and leave it at that. Personally, I'd rather people left than hung around and complained all the way through The Blackout's set as a group of guys next to me did. Incredibly irritating. But onto the actual set. This was my fourth time seeing The Blackout and they were just as wonderful as always. Launching their set with "I'm A Riot, You're A Fucking Riot", the crowd really got involved - evidently just as many fans as not. They followed this up with an assertion that "we're not Sum 41" and promptly covered said band's Fat Lip. And a pretty good cover at that. They might just have managed to claw back their position as "Zoe's Favourite Live Band", although that's largely because they slagged off all the people heckling them. To which I say, good for them and feel I must share this wonderful image.
Courtesy of deviantartsecret
And so finally we come to the headliners, pop-punkers New Found Glory. All in all a great set, but they're not a band I'm particularly interested in. Also, if anyone cares to comment, I'd really like to know if their vocalist is always quite so nasal. Anyhoos, I can't pick out individual songs (because I don't know them), but the cover of Green Day's Basketcase in their encore was a stroke of genius. Even people who hadn't really shown much interest earlier in NFG's set suddenly took notice and most of the crowd was singing along by the end. Overall a brilliant end to an awesome show.
Showing posts with label The Blackout. Show all posts
Showing posts with label The Blackout. Show all posts
Thursday, February 9, 2012
Monday, April 4, 2011
Band of the Week: The Blackout
Ah, The Blackout. Currently rock with post-hardcore bits. Prior to the latest album, they were more post-hardcore. Welsh. Mad. Totally epically awesome. And this morning I got the aforementioned latest album and I can totally see why Blunt gave it a 4/5 star review.
I've not written a review myself yet. That can wait till I've had a few more listens. Besides, this is Band of the Week. This is my opportunity to gush about how much I love them. And I do indeed love them. The Blackout have grown on me slowly. I first looked into them about 2 years ago after I found out they were playing at Give It A Name 2009. Second billing, no less. I wasn't too fond of them then. But then, I wasn't at all fond of Enter Shikari at the time (who were headlining Give It A Name). That show introduced me to some awesome live bands. I fell madly in love with Enter Shikari. Not so much with The Blackout, but I knew then that they were amazing live. Late 2009 I found out they were playing the Kerrang! Tour in January 2010. Second billing again. Well, I knew they were awesome live, plus All Time Low and Young Guns were also playing and I was already in love with them. Once again, I loved The Blackout's live performance. Downloaded a few tracks.
Those few tracks got quite obsessively played and I spent several months trying to decide whether to buy their albums or not. In the end, I decided that while I loved them live, they didn't quite translate that energy to disc. And then comes the announcement of the line up for Soundwave 2011. The Blackout are in there. Along with a bunch of other bands I love. But The Blackout. I knew that even if I didn't get to see some of the other bands I wanted to, I HAD to see The Blackout again. Suffice to say, they didn't disappoint. If you've read my post about Soundwave, you'll know how much I loved that set. Probably the best set I've seen of any band ever. (and I totally just realised I've mispelled Soundwave in the title of that post. Oops.) So totally awesome. So awesome, in fact that I finally got my arse in gear and downloaded their albums. And then spent the next month up until today waiting for new album Hope to be released. Oh, so scrummy. The main album is brilliant, but the deluxe edition (not labelled deluxe on iTunes, but it's the deluxe for physical versions) includes four covers and two acoustic tracks. So so lovely.
Basically, The Blackout are awesome. Even more awesome live. They're on tour in the UK at the moment, but I'm pretty sure almost every show's sold out. That is how awesome they are. So, check 'em out (preferably live), let me know what you think and pass it on.
Assorted The Blackout links:
Official site
Last.FM
Myspace
Youtube or check out Epitaph Records' channel for some music vids
Recommended tracks:
From The Blackout! The Blackout! The Blackout!: I'm A Riot? You're A Fucking Riot!, It's High Tide Baby
From We Are The Dynamite: I've Got Better Things To Do Tonight Than Die, Spread Legs Not Lies, She Is Macho
From The Best In Town: Save Our Selves (The Warning), ShutTheFuckUppercut, Children Of The Night, I Love Myself And I Wanna Live, We're Going To Hell...So Bring The Sunblock
From Hope: Ambition Is Critical, Higher & Higher, Hope (Scream It Out Loud), You're Not Alone (acoustic), Save Tonight (Eagle-Eye Cherry cover)
I've not written a review myself yet. That can wait till I've had a few more listens. Besides, this is Band of the Week. This is my opportunity to gush about how much I love them. And I do indeed love them. The Blackout have grown on me slowly. I first looked into them about 2 years ago after I found out they were playing at Give It A Name 2009. Second billing, no less. I wasn't too fond of them then. But then, I wasn't at all fond of Enter Shikari at the time (who were headlining Give It A Name). That show introduced me to some awesome live bands. I fell madly in love with Enter Shikari. Not so much with The Blackout, but I knew then that they were amazing live. Late 2009 I found out they were playing the Kerrang! Tour in January 2010. Second billing again. Well, I knew they were awesome live, plus All Time Low and Young Guns were also playing and I was already in love with them. Once again, I loved The Blackout's live performance. Downloaded a few tracks.
Those few tracks got quite obsessively played and I spent several months trying to decide whether to buy their albums or not. In the end, I decided that while I loved them live, they didn't quite translate that energy to disc. And then comes the announcement of the line up for Soundwave 2011. The Blackout are in there. Along with a bunch of other bands I love. But The Blackout. I knew that even if I didn't get to see some of the other bands I wanted to, I HAD to see The Blackout again. Suffice to say, they didn't disappoint. If you've read my post about Soundwave, you'll know how much I loved that set. Probably the best set I've seen of any band ever. (and I totally just realised I've mispelled Soundwave in the title of that post. Oops.) So totally awesome. So awesome, in fact that I finally got my arse in gear and downloaded their albums. And then spent the next month up until today waiting for new album Hope to be released. Oh, so scrummy. The main album is brilliant, but the deluxe edition (not labelled deluxe on iTunes, but it's the deluxe for physical versions) includes four covers and two acoustic tracks. So so lovely.
Basically, The Blackout are awesome. Even more awesome live. They're on tour in the UK at the moment, but I'm pretty sure almost every show's sold out. That is how awesome they are. So, check 'em out (preferably live), let me know what you think and pass it on.
Assorted The Blackout links:
Official site
Last.FM
Myspace
Youtube or check out Epitaph Records' channel for some music vids
Recommended tracks:
From The Blackout! The Blackout! The Blackout!: I'm A Riot? You're A Fucking Riot!, It's High Tide Baby
From We Are The Dynamite: I've Got Better Things To Do Tonight Than Die, Spread Legs Not Lies, She Is Macho
From The Best In Town: Save Our Selves (The Warning), ShutTheFuckUppercut, Children Of The Night, I Love Myself And I Wanna Live, We're Going To Hell...So Bring The Sunblock
From Hope: Ambition Is Critical, Higher & Higher, Hope (Scream It Out Loud), You're Not Alone (acoustic), Save Tonight (Eagle-Eye Cherry cover)
Sunday, February 27, 2011
Review: Soundave 2011 (Brisbane)
This weekend I've managed to pull muscles in both legs, acquire ridiculously painful and awkwardly positioned blisters on both feet (thanks to my DMs), got sunburn on my shoulder and face and had to put up with people of various levels of annoyingness on 4 different flights. I also went to Soundwave in Brisbane and it was all totally fucking worth it.
Arriving at the festival about half an hour after the gates opened (thanks to getting totally confused about which way I was supposed to be going), I missed the first acts. Not that I really wanted to see any of them, but I would've been interested to check out one of the local bands that were playing. Ah well. First band I got to see was Breathe Carolina on stage 5A. Couple of sound issues with one of the mics, but overall a good set, which the Breathe Carolina fans seemed to enjoy. Plus, they included a couple of the only songs I know by them, so that was nice.
After BC, I shuffled over to the next-door stage, 5B. I actually ended up spending a lot of the day around the stage 5s. Anyways, Bayside was on 5B. I know one solitary song by Bayside, but they put on a fucking good live show and managed to include Masterpiece, which aside from being the one song I know by them, is also one of my favourite songs EVER. Shifting back over to stage 5A again, I caught This Town Needs Guns. Firstly, they have a thing about naming songs after animals - I think we got Lemur, Pig, Babboon and... Panda? Possibly? Secondly, their vocalist isn't half a wiggly chap - someone from the crowd named him "King of Jive". Thirdly, they seemed a little out of place. They're more of an indie band, and Soundwave is more of an alt-rock, punk, metal type thing. That said, they were pretty decent. Not my thing, but a good band. Tiny crowd though and at times they got a bit drowned out by Sevendust who were playing on stage 4 at the other end of the area. Sevendust being heavy as fuck and bloody loud too. Well, that's what it sounded like to me.
Moving on.
Back across to stage 5B (again). We The Kings and the first band of the day I'd really wanted to see. Again, I know two songs by We The Kings, but I like their sound and they played the songs I know. The crowd was by far the biggest I'd seen so far and definitely one of the most passionate of the day overall. The band also seemed to be better at engaging with the (predominately teenaged, female) crowd than the previous bands. Particularly liked the story about the stoner best friend telling vocalist Travis Clark that he was "like the red haired Jesus". Indeed. Moving on. I almost passed out. Too warm, basically, so I grabbed a drink and went and hid in the shade next to stage 5A. Sitting there, I caught most of Dommin's set. Wasn't really paying much attention, but it sounded like decent goth rock with electronic bits. Electro-rock, sort of, but not quite. Miniscule crowd - smallest I saw all day, which was a shame because I honestly thought they sounded great and I'm planning on checking them out once I've finished writing this. Oh, and they played a beautiful cover of Died In Your Arms by Cutting Crew.
There is a note at this point in my scribblings which says "several pairs of pretty DMs, feet still attached." I don't think folks would've been impressed if I'd tried to filch their Docs from under them.
After I'd recovered from the heat-passing-out-ness, I headed over to the main stages to catch Stone Sour. Again, I know two songs by them, but I love Corey Taylor's voice, so I thought I'd check out their set. And there was no one else I wanted to see at the time. As it was, I caught the end of Bullet For My Valentine's set. Never listened to them. I vaguely know one song from a mixtape I have, but that's it. I blamed this for the fact that I couldn't decifer any of their lyrics. Then I couldn't decifer any of Stone Sour's. I gave up on their set after about 10 minutes because for whatever reason, the sound was shit from where I was sitting and I couldn't hear anything properly. So I pootled back to stage 5A to catch some of There For Tomorrow. Again, decent stuff, but I got too warm again. Blame it being around 29 degrees in Brisbane yesterday. I live in Tasmania, where you're lucky if it reaches 20 at the moment. So I abandoned There For Tomorrow as well and went to find somewhere shadier. Didn't happen because I made the mistake of wandering past stage 6 where blessthefall were playing. Once again, I know one song by btf, but hey, it's metalcore/post-hardcore shit and my kinda music. Besides, I knew Silverstein were playing after them, so I hung around. Turned out to be one of the most fun sets of the day, even if I did only catch the last few songs. Gotta love people diving off speaker stacks into the crowd.
Silverstein then made my day by playing Smashed Into Pieces which just happens to be my favourite song by them and also probably within my top 5 overall. Unfortunately, I gave up on their set too because at this point my stomach reminded me that I hadn't eaten since about 9am and it was now getting on for 5pm. So, I toddled off, grabbed some chips and headed back to the mainstage for 30 Seconds To Mars. I caught the end of Slash's set which was epic awesome, largely because he (and band) played Paradise City. Ahhh, my early musical explorations. Going through my dad's CDs. Happy times. Seemed like the sound had improved too, so I was hopeful for 30 Seconds To Mars' set. I was rather sadly disappointed. For a start, the sound went back to being shit, which I've since put down to where I was sitting - I think I was just too far back in the stands and at times the main stage was getting drowned out by the bands playing on stage 4, which happened to be Ill Nino and Slayer while 30STM were on. Ill Nino sounded pretty fucking good, by the way. Back to 30STM - what I could hear of the set seemed pretty heavy on This Is War material and they didn't play a single song from the debut album. I don't really like This Is War at the best of times and it was made worse by the fact that Kings And Queens seemed to get dragged out for about 10 minutes. Plus, Jared Leto, cute as he may be, really needs to spend more time singing/playing and less time talking. Seriously. Considering 30STM was one of the bands I was most looking forward to, I was not impressed.
Stuck around at the main stages for the start of One Day As A Lion's set. Some sort of project from Zach De La Rocha of Rage Against The Machine fame. Again, sound was shit, but it didn't really seem like my sort of thing anyway, so I went for a wander. By the time I wandered back, ODAAL were finishing up and then it was Queens Of The Stone Age. Another band I only know two songs from, so I was happy when they opened with Sick, Sick, Sick which is one of the two. Considering I was sitting in the same place as previously, the sound seemed much better this time. Plus, it'd got dark by this point, so the light show actually looked good instead of being just a bunch of lights on stage that really didn't do anything. I toddled off halfway through the set because I wanted a good spot for The Blackout's set at 8pm. Sat and watched most of The Maine's set while I was waiting. Fairly generic pop-rock type stuff, but it was fun music and there was a great rock 'n' roll type song at some point which I can't remember the name of.
And then came The Blackout. Oh, where do I start? My favourite set of the night, perhaps? My favourite set of all time? I was actually in the crowd, which is a fucking big deal for me because I have something of a phobia of crowds. But hey, this is The Blackout. I've seen them twice before and both times I've decided that while they're fucking awesome live, I don't like them enough to buy any more than a few singles. Their Soundwave set changed my mind. For a start, vocalist Sean Smith took a dive off the stage a few seconds into the opening song (ShutTheFuckUppercut) and somehow ended up at the back of the crowd. And then there was the having a go at the Mayday Parade fans who were waiting next to us in front of 5A, waiting. Oh, and the fact that finally I managed not to mangle my knees during Save Our Selves. That set is probably the most involved I've been at a show ever.
Anyways, before this turns into a ramble about how fucking awesome The Blackout are live, let's move on to my final set of the day. Mayday Parade. Now, I love Mayday Parade. I've seen them live once before and it was awesome - the only other show where I've gone into the crowd on my own. Last night was as good as then and the crowd were totally into them. However, the set list seemed virtually unchanged since I saw them last March, with the addition of If You Wanted A Song Written About You... I thought they might have changed it a little more, but I suppose if they've not been to Australia since then it makes some sort of sense. Ah well, it was still an awesomely energetic end to a brilliant day. Now, I just have to find some way (and the cash) to come back and do it again next year...
I was going to hang around and catch Anberlin headlining stage 3, but I had to get back to the hostel before 11pm to check in properly. Shame, but I know Anberlin are awesome live - I saw them a couple of years ago. Maybe I'll catch them in the UK some time after I get back in summer.
Arriving at the festival about half an hour after the gates opened (thanks to getting totally confused about which way I was supposed to be going), I missed the first acts. Not that I really wanted to see any of them, but I would've been interested to check out one of the local bands that were playing. Ah well. First band I got to see was Breathe Carolina on stage 5A. Couple of sound issues with one of the mics, but overall a good set, which the Breathe Carolina fans seemed to enjoy. Plus, they included a couple of the only songs I know by them, so that was nice.
After BC, I shuffled over to the next-door stage, 5B. I actually ended up spending a lot of the day around the stage 5s. Anyways, Bayside was on 5B. I know one solitary song by Bayside, but they put on a fucking good live show and managed to include Masterpiece, which aside from being the one song I know by them, is also one of my favourite songs EVER. Shifting back over to stage 5A again, I caught This Town Needs Guns. Firstly, they have a thing about naming songs after animals - I think we got Lemur, Pig, Babboon and... Panda? Possibly? Secondly, their vocalist isn't half a wiggly chap - someone from the crowd named him "King of Jive". Thirdly, they seemed a little out of place. They're more of an indie band, and Soundwave is more of an alt-rock, punk, metal type thing. That said, they were pretty decent. Not my thing, but a good band. Tiny crowd though and at times they got a bit drowned out by Sevendust who were playing on stage 4 at the other end of the area. Sevendust being heavy as fuck and bloody loud too. Well, that's what it sounded like to me.
Moving on.
Back across to stage 5B (again). We The Kings and the first band of the day I'd really wanted to see. Again, I know two songs by We The Kings, but I like their sound and they played the songs I know. The crowd was by far the biggest I'd seen so far and definitely one of the most passionate of the day overall. The band also seemed to be better at engaging with the (predominately teenaged, female) crowd than the previous bands. Particularly liked the story about the stoner best friend telling vocalist Travis Clark that he was "like the red haired Jesus". Indeed. Moving on. I almost passed out. Too warm, basically, so I grabbed a drink and went and hid in the shade next to stage 5A. Sitting there, I caught most of Dommin's set. Wasn't really paying much attention, but it sounded like decent goth rock with electronic bits. Electro-rock, sort of, but not quite. Miniscule crowd - smallest I saw all day, which was a shame because I honestly thought they sounded great and I'm planning on checking them out once I've finished writing this. Oh, and they played a beautiful cover of Died In Your Arms by Cutting Crew.
There is a note at this point in my scribblings which says "several pairs of pretty DMs, feet still attached." I don't think folks would've been impressed if I'd tried to filch their Docs from under them.
After I'd recovered from the heat-passing-out-ness, I headed over to the main stages to catch Stone Sour. Again, I know two songs by them, but I love Corey Taylor's voice, so I thought I'd check out their set. And there was no one else I wanted to see at the time. As it was, I caught the end of Bullet For My Valentine's set. Never listened to them. I vaguely know one song from a mixtape I have, but that's it. I blamed this for the fact that I couldn't decifer any of their lyrics. Then I couldn't decifer any of Stone Sour's. I gave up on their set after about 10 minutes because for whatever reason, the sound was shit from where I was sitting and I couldn't hear anything properly. So I pootled back to stage 5A to catch some of There For Tomorrow. Again, decent stuff, but I got too warm again. Blame it being around 29 degrees in Brisbane yesterday. I live in Tasmania, where you're lucky if it reaches 20 at the moment. So I abandoned There For Tomorrow as well and went to find somewhere shadier. Didn't happen because I made the mistake of wandering past stage 6 where blessthefall were playing. Once again, I know one song by btf, but hey, it's metalcore/post-hardcore shit and my kinda music. Besides, I knew Silverstein were playing after them, so I hung around. Turned out to be one of the most fun sets of the day, even if I did only catch the last few songs. Gotta love people diving off speaker stacks into the crowd.
Silverstein then made my day by playing Smashed Into Pieces which just happens to be my favourite song by them and also probably within my top 5 overall. Unfortunately, I gave up on their set too because at this point my stomach reminded me that I hadn't eaten since about 9am and it was now getting on for 5pm. So, I toddled off, grabbed some chips and headed back to the mainstage for 30 Seconds To Mars. I caught the end of Slash's set which was epic awesome, largely because he (and band) played Paradise City. Ahhh, my early musical explorations. Going through my dad's CDs. Happy times. Seemed like the sound had improved too, so I was hopeful for 30 Seconds To Mars' set. I was rather sadly disappointed. For a start, the sound went back to being shit, which I've since put down to where I was sitting - I think I was just too far back in the stands and at times the main stage was getting drowned out by the bands playing on stage 4, which happened to be Ill Nino and Slayer while 30STM were on. Ill Nino sounded pretty fucking good, by the way. Back to 30STM - what I could hear of the set seemed pretty heavy on This Is War material and they didn't play a single song from the debut album. I don't really like This Is War at the best of times and it was made worse by the fact that Kings And Queens seemed to get dragged out for about 10 minutes. Plus, Jared Leto, cute as he may be, really needs to spend more time singing/playing and less time talking. Seriously. Considering 30STM was one of the bands I was most looking forward to, I was not impressed.
Stuck around at the main stages for the start of One Day As A Lion's set. Some sort of project from Zach De La Rocha of Rage Against The Machine fame. Again, sound was shit, but it didn't really seem like my sort of thing anyway, so I went for a wander. By the time I wandered back, ODAAL were finishing up and then it was Queens Of The Stone Age. Another band I only know two songs from, so I was happy when they opened with Sick, Sick, Sick which is one of the two. Considering I was sitting in the same place as previously, the sound seemed much better this time. Plus, it'd got dark by this point, so the light show actually looked good instead of being just a bunch of lights on stage that really didn't do anything. I toddled off halfway through the set because I wanted a good spot for The Blackout's set at 8pm. Sat and watched most of The Maine's set while I was waiting. Fairly generic pop-rock type stuff, but it was fun music and there was a great rock 'n' roll type song at some point which I can't remember the name of.
And then came The Blackout. Oh, where do I start? My favourite set of the night, perhaps? My favourite set of all time? I was actually in the crowd, which is a fucking big deal for me because I have something of a phobia of crowds. But hey, this is The Blackout. I've seen them twice before and both times I've decided that while they're fucking awesome live, I don't like them enough to buy any more than a few singles. Their Soundwave set changed my mind. For a start, vocalist Sean Smith took a dive off the stage a few seconds into the opening song (ShutTheFuckUppercut) and somehow ended up at the back of the crowd. And then there was the having a go at the Mayday Parade fans who were waiting next to us in front of 5A, waiting. Oh, and the fact that finally I managed not to mangle my knees during Save Our Selves. That set is probably the most involved I've been at a show ever.
Anyways, before this turns into a ramble about how fucking awesome The Blackout are live, let's move on to my final set of the day. Mayday Parade. Now, I love Mayday Parade. I've seen them live once before and it was awesome - the only other show where I've gone into the crowd on my own. Last night was as good as then and the crowd were totally into them. However, the set list seemed virtually unchanged since I saw them last March, with the addition of If You Wanted A Song Written About You... I thought they might have changed it a little more, but I suppose if they've not been to Australia since then it makes some sort of sense. Ah well, it was still an awesomely energetic end to a brilliant day. Now, I just have to find some way (and the cash) to come back and do it again next year...
I was going to hang around and catch Anberlin headlining stage 3, but I had to get back to the hostel before 11pm to check in properly. Shame, but I know Anberlin are awesome live - I saw them a couple of years ago. Maybe I'll catch them in the UK some time after I get back in summer.
Labels:
30 Seconds To Mars,
Bayside,
blessthefall,
Breathe Carolina,
Dommin,
festival,
Mayday Parade,
Silverstein,
Slash,
Soundwave,
Stone Sour,
The Blackout,
This Town Needs Guns,
We The Kings
Tuesday, January 25, 2011
Band Of The Week: super-mega-awesome feature... promise
Well, I didn't really feel like doing a proper Band Of The Week blog this week. So, instead, here's a few bands/artists I think everyone should check out.
Aamir al-Loki: Wonderfully odd self-described goth-pop. I'd put it closer to electronic rock, but goth-pop will do. Make sure to check out her new album Kill Your Demons. (Yes, I know I already wrote about her last week, but I'm just emphasising the point.)
Ahab: Funeral doom metal. I've never listened to doom metal in my life, but I'm pretty much in love with Ahab. Brilliantly atmospheric, plus their work's based on Moby Dick and whatnot. Someone on last.fm called it "whalecore". Made me smile.
The Damned Things: Pretty much straight up rock, with some melodic metal influences. Fall Out Boy + Anthrax + Every Time I Die evidently = a brilliant combination.
The Left Rights: Brainchild of Jimmy Urine and Steve, Righ? from Mindless Self Indulgence. Bizarre, crude, not all that imaginative, but good fun. Warning: may offend. No, seriously, may offend. I've seen the comments on some of their stuff.
Me And The Mountain: English, female-fronted rock. And if you dare compare them to Paramore I'm likely to kill you. Just because it's a female fronted rock band doesn't make it like Paramore. Besides, Me And The Mountain are shitloads better than Paramore. The debut EP Ruthless is due out at the beginning of February - should be on the iTunes store.
Get Scared: Post-hardcore type stuff. Or possibly rock with post-hardcore influences. Who needs this whole Black Veil Brides hype when you can have Get Scared and they're so much better?
The Blackout: More post-hardcore. Better live than on disc, so if you get the chance to see one of their gigs, take it. Although I warn you, it may mangle your knees. Check out their new track too - free download at the mo.
Last but not least, the wonderful Emilie Autumn, love of my life. Well, my musical life and she's a gorgeous woman too. Hey, a girl can dream. Ahem. Self-labelled "victoriandustrial", look out for the epic electric violin solos against industrial beats. On top of all that scrumminess is her voice. Eargasm, much. Seriously, go check her out. Hmm... maybe next week's band of the week can be for EA. Seeing as she's my favourite musician and all that and I don't babble about her enough. Mmm.
Anyways, go check them out, tell me what you think and pass it on.
Aamir al-Loki: Wonderfully odd self-described goth-pop. I'd put it closer to electronic rock, but goth-pop will do. Make sure to check out her new album Kill Your Demons. (Yes, I know I already wrote about her last week, but I'm just emphasising the point.)
Ahab: Funeral doom metal. I've never listened to doom metal in my life, but I'm pretty much in love with Ahab. Brilliantly atmospheric, plus their work's based on Moby Dick and whatnot. Someone on last.fm called it "whalecore". Made me smile.
The Damned Things: Pretty much straight up rock, with some melodic metal influences. Fall Out Boy + Anthrax + Every Time I Die evidently = a brilliant combination.
The Left Rights: Brainchild of Jimmy Urine and Steve, Righ? from Mindless Self Indulgence. Bizarre, crude, not all that imaginative, but good fun. Warning: may offend. No, seriously, may offend. I've seen the comments on some of their stuff.
Me And The Mountain: English, female-fronted rock. And if you dare compare them to Paramore I'm likely to kill you. Just because it's a female fronted rock band doesn't make it like Paramore. Besides, Me And The Mountain are shitloads better than Paramore. The debut EP Ruthless is due out at the beginning of February - should be on the iTunes store.
Get Scared: Post-hardcore type stuff. Or possibly rock with post-hardcore influences. Who needs this whole Black Veil Brides hype when you can have Get Scared and they're so much better?
The Blackout: More post-hardcore. Better live than on disc, so if you get the chance to see one of their gigs, take it. Although I warn you, it may mangle your knees. Check out their new track too - free download at the mo.
Last but not least, the wonderful Emilie Autumn, love of my life. Well, my musical life and she's a gorgeous woman too. Hey, a girl can dream. Ahem. Self-labelled "victoriandustrial", look out for the epic electric violin solos against industrial beats. On top of all that scrumminess is her voice. Eargasm, much. Seriously, go check her out. Hmm... maybe next week's band of the week can be for EA. Seeing as she's my favourite musician and all that and I don't babble about her enough. Mmm.
Anyways, go check them out, tell me what you think and pass it on.
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