Saturday, March 12, 2011

Review: Ruthless EP by Me And The Mountain

I'll have to look at getting a new Band Of The Week done tomorrow - haven't posted one for weeks! But for now, I have a couple of new reviews for your reading pleasure. First up is Me And The Mountain's debut EP, Ruthless. Have a listen and let me know what you think.


Ruthless EP – Me and the Mountain
Release date: 9th March 2011 (through Beehive Recordings)
Genre: Rock

Rating: 7/10

I've been eagerly awaiting Me and the Mountain's debut EP for several months and for a debut EP, it pretty much lives up to expectations. Easy on the ears, radio-friendly, female fronted rock, with a slightly hard edge to it. Opening track Hands To Yourself, originally released as the band's first single back in November last year is easily the strongest on the EP, a good driving track which displays the range of the vocalist. She's backed up on several tracks by one of the two guitarists and the bassist and while the male-female contrast is there, it stands out better in acoustic performances. None of them on this EP unfortunately, but I feel the contrast is something that could be worked on and improved in future material.

Throughout the EP, there is the slight feel that the rhythm section isn't particularly varied. I noticed this particularly on Hands To Yourself and the following track This Is What You Do. Although the EP as a whole has a slightly samey feel to it (probably not helped by that oddly similar rhythm section on the first two tracks), the tracks have enough variety to keep you interested. Third track Diamonds & Co begins as an almost ballad before exploding into life. Following on is the oddly fun Ruthless. However, my favourite tracks have to be The Invincibles and Silver Lining. This may simply be because they're the tracks I've known the longest, having heard acoustic versions back in November, but they are brilliant tracks. The Invincibles makes me wonder who these mysterious Invincibles are – the only reference I can find is to a variety of sports teams – and why do you need to keep up change for them? Silver Lining just has some wonderful lyrics:

“Sinks too low,
My body's forgotten how to float.
Treading water's just a joke.”

And this brings us to closing track As Yet Unknown. Another track where the opening notes at least sound rather similar to some of the previous tracks. That said, it's a great closer. The whole idea of “As yet unknown” leaves you free to wonder how Me and the Mountain will progress on their next release. If this EP is anything to go by, I think we can expect a pretty damn decent follow up, although hopefully without that samey feeling.

They sound almost more wonderful acoustic, by the way – check out their Youtube for some acoustic covers. It's scrummy.

Sunday, February 27, 2011

Review: Soundave 2011 (Brisbane)

This weekend I've managed to pull muscles in both legs, acquire ridiculously painful and awkwardly positioned blisters on both feet (thanks to my DMs), got sunburn on my shoulder and face and had to put up with people of various levels of annoyingness on 4 different flights. I also went to Soundwave in Brisbane and it was all totally fucking worth it.

Arriving at the festival about half an hour after the gates opened (thanks to getting totally confused about which way I was supposed to be going), I missed the first acts. Not that I really wanted to see any of them, but I would've been interested to check out one of the local bands that were playing. Ah well. First band I got to see was Breathe Carolina on stage 5A. Couple of sound issues with one of the mics, but overall a good set, which the Breathe Carolina fans seemed to enjoy. Plus, they included a couple of the only songs I know by them, so that was nice.

After BC, I shuffled over to the next-door stage, 5B. I actually ended up spending a lot of the day around the stage 5s. Anyways, Bayside was on 5B. I know one solitary song by Bayside, but they put on a fucking good live show and managed to include Masterpiece, which aside from being the one song I know by them, is also one of my favourite songs EVER. Shifting back over to stage 5A again, I caught This Town Needs Guns. Firstly, they have a thing about naming songs after animals - I think we got Lemur, Pig, Babboon and... Panda? Possibly? Secondly, their vocalist isn't half a wiggly chap - someone from the crowd named him "King of Jive". Thirdly, they seemed a little out of place. They're more of an indie band, and Soundwave is more of an alt-rock, punk, metal type thing. That said, they were pretty decent. Not my thing, but a good band. Tiny crowd though and at times they got a bit drowned out by Sevendust who were playing on stage 4 at the other end of the area. Sevendust being heavy as fuck and bloody loud too. Well, that's what it sounded like to me.

Moving on.

Back across to stage 5B (again). We The Kings and the first band of the day I'd really wanted to see. Again, I know two songs by We The Kings, but I like their sound and they played the songs I know. The crowd was by far the biggest I'd seen so far and definitely one of the most passionate of the day overall. The band also seemed to be better at engaging with the (predominately teenaged, female) crowd than the previous bands. Particularly liked the story about the stoner best friend telling vocalist Travis Clark that he was "like the red haired Jesus". Indeed. Moving on. I almost passed out. Too warm, basically, so I grabbed a drink and went and hid in the shade next to stage 5A. Sitting there, I caught most of Dommin's set. Wasn't really paying much attention, but it sounded like decent goth rock with electronic bits. Electro-rock, sort of, but not quite. Miniscule crowd - smallest I saw all day, which was a shame because I honestly thought they sounded great and I'm planning on checking them out once I've finished writing this. Oh, and they played a beautiful cover of Died In Your Arms by Cutting Crew.

There is a note at this point in my scribblings which says "several pairs of pretty DMs, feet still attached." I don't think folks would've been impressed if I'd tried to filch their Docs from under them.

After I'd recovered from the heat-passing-out-ness, I headed over to the main stages to catch Stone Sour. Again, I know two songs by them, but I love Corey Taylor's voice, so I thought I'd check out their set. And there was no one else I wanted to see at the time. As it was, I caught the end of Bullet For My Valentine's set. Never listened to them. I vaguely know one song from a mixtape I have, but that's it. I blamed this for the fact that I couldn't decifer any of their lyrics. Then I couldn't decifer any of Stone Sour's. I gave up on their set after about 10 minutes because for whatever reason, the sound was shit from where I was sitting and I couldn't hear anything properly. So I pootled back to stage 5A to catch some of There For Tomorrow. Again, decent stuff, but I got too warm again. Blame it being around 29 degrees in Brisbane yesterday. I live in Tasmania, where you're lucky if it reaches 20 at the moment. So I abandoned There For Tomorrow as well and went to find somewhere shadier. Didn't happen because I made the mistake of wandering past stage 6 where blessthefall were playing. Once again, I know one song by btf, but hey, it's metalcore/post-hardcore shit and my kinda music. Besides, I knew Silverstein were playing after them, so I hung around. Turned out to be one of the most fun sets of the day, even if I did only catch the last few songs. Gotta love people diving off speaker stacks into the crowd.

Silverstein then made my day by playing Smashed Into Pieces which just happens to be my favourite song by them and also probably within my top 5 overall. Unfortunately, I gave up on their set too because at this point my stomach reminded me that I hadn't eaten since about 9am and it was now getting on for 5pm. So, I toddled off, grabbed some chips and headed back to the mainstage for 30 Seconds To Mars. I caught the end of Slash's set which was epic awesome, largely because he (and band) played Paradise City. Ahhh, my early musical explorations. Going through my dad's CDs. Happy times. Seemed like the sound had improved too, so I was hopeful for 30 Seconds To Mars' set. I was rather sadly disappointed. For a start, the sound went back to being shit, which I've since put down to where I was sitting - I think I was just too far back in the stands and at times the main stage was getting drowned out by the bands playing on stage 4, which happened to be Ill Nino and Slayer while 30STM were on. Ill Nino sounded pretty fucking good, by the way. Back to 30STM - what I could hear of the set seemed pretty heavy on This Is War material and they didn't play a single song from the debut album. I don't really like This Is War at the best of times and it was made worse by the fact that Kings And Queens seemed to get dragged out for about 10 minutes. Plus, Jared Leto, cute as he may be, really needs to spend more time singing/playing and less time talking. Seriously. Considering 30STM was one of the bands I was most looking forward to, I was not impressed.

Stuck around at the main stages for the start of One Day As A Lion's set. Some sort of project from Zach De La Rocha of Rage Against The Machine fame. Again, sound was shit, but it didn't really seem like my sort of thing anyway, so I went for a wander. By the time I wandered back, ODAAL were finishing up and then it was Queens Of The Stone Age. Another band I only know two songs from, so I was happy when they opened with Sick, Sick, Sick which is one of the two. Considering I was sitting in the same place as previously, the sound seemed much better this time. Plus, it'd got dark by this point, so the light show actually looked good instead of being just a bunch of lights on stage that really didn't do anything. I toddled off halfway through the set because I wanted a good spot for The Blackout's set at 8pm. Sat and watched most of The Maine's set while I was waiting. Fairly generic pop-rock type stuff, but it was fun music and there was a great rock 'n' roll type song at some point which I can't remember the name of.

And then came The Blackout. Oh, where do I start? My favourite set of the night, perhaps? My favourite set of all time? I was actually in the crowd, which is a fucking big deal for me because I have something of a phobia of crowds. But hey, this is The Blackout. I've seen them twice before and both times I've decided that while they're fucking awesome live, I don't like them enough to buy any more than a few singles. Their Soundwave set changed my mind. For a start, vocalist Sean Smith took a dive off the stage a few seconds into the opening song (ShutTheFuckUppercut) and somehow ended up at the back of the crowd. And then there was the having a go at the Mayday Parade fans who were waiting next to us in front of 5A, waiting. Oh, and the fact that finally I managed not to mangle my knees during Save Our Selves. That set is probably the most involved I've been at a show ever.

Anyways, before this turns into a ramble about how fucking awesome The Blackout are live, let's move on to my final set of the day. Mayday Parade. Now, I love Mayday Parade. I've seen them live once before and it was awesome - the only other show where I've gone into the crowd on my own. Last night was as good as then and the crowd were totally into them. However, the set list seemed virtually unchanged since I saw them last March, with the addition of If You Wanted A Song Written About You... I thought they might have changed it a little more, but I suppose if they've not been to Australia since then it makes some sort of sense. Ah well, it was still an awesomely energetic end to a brilliant day. Now, I just have to find some way (and the cash) to come back and do it again next year...

I was going to hang around and catch Anberlin headlining stage 3, but I had to get back to the hostel before 11pm to check in properly. Shame, but I know Anberlin are awesome live - I saw them a couple of years ago. Maybe I'll catch them in the UK some time after I get back in summer.

Thursday, February 10, 2011

Band Of The Week: One-Eyed Doll

Having recently rediscovered the awesomeness of bandcamp.com, I made the mistake of having a random hop through their catalogues. I came across a band by the name of One-Eyed Doll, thought their album art looked interesting so had a listen. I fell in love within two tracks. So, despite telling myself I wouldn't buy any more music for a while (not counting MATM's EP, because I've been looking forward to that for ages), I went ahead and bought 3 albums of scrummy One-Eyed Doll material.

One-Eyed Doll are kinda hard to define. They're female-fronted, that's obvious - vocalist Kimberly Freeman has a brilliant, distinctive voice that puts me in mind somewhat of Romily Alice of Japanese Voyeurs. Style-wise though, there's hard rock, punk and some sort of metal. I mean, some tracks show a very definite thrash metal influence. Not actually thrash metal themselves, but there's that feel there. There's also quite a strong grunge feeling on some tracks. Right old mash of influences, which is wonderful.

It was Freeman's voice that really drew me in - deceptively sweet and yet sometimes so harsh (which is probably what reminded me of Romily Alice). But what caught my attention was the track Be My Friend on the album Monster. It actually made me laugh out loud, which isn't that common a reaction from me with regards to music. It's such a sweet, funny and yet sinister song. It's that that made me fall in love. I didn't need to listen to the rest of the album - I downloaded it there and then, checked out a few of the tracks on their other albums and promptly downloaded Break and Hole as well. Then I discovered this little wonder.




How can you not enjoy that? There's that same fun take on things as there is in Be My Friend. So of course I had to download the You're A Vampire single too. Ahh, new music overdose.

What's wonderful is that on the band's bandcamp, you can pay whatever you want for their albums, including nothing. However tempting it may be to download it for free, I strongly suggest paying for their music - it's well worth the money, and they're the sort of band that actually need your cash.

Damnit, I wish I could see these guys live, but I doubt they'll be coming over to Australia any time soon. I will make do with their awesome albums and the "rockumentary" I found on YouTube. An hour and a half of awesomeness, including bits of live shows. Which look like total epic awesome. When I finally get my arse over to the States, I am totally hunting down at least one One-Eyed Doll show.

So, check 'em out, let me know what you think and pass it on.

Assorted One-Eyed Doll links:
Official site
Myspace
YouTube
Facebook
Last.FM
Bandcamp

Recommended tracks:
From Hole: Scapegoat, Hoochie Mama, Hole, Recipe 4 Success, Wheels On The Bus
From Monster: Be My Friend, Brief Candle, UFO, PAO!, Monster
From Break: Airplane Man, See Jane Run, Cinderblock, New Orleans, Resurrection
You're A Vampire/Battle On! (single/b-side)

Saturday, February 5, 2011

Band Of The Week: Me And The Mountain

My Emilie Autumn post has been put on hold (again), since it was a mention by Me And The Mountain on Twitter that kinda jolted me into actually writing this week's Band Of The Week. Apparently they found my post from last week.

"@MATMofficial: Just spotted this little ditty from @ZoeDixon : We're just below @thedamnedthings so it can't be bad!"

So, they get the post, because, hey, they are indeed awesome. And if they hadn't mentioned that, I would completely have forgotten to post this week. This is what I posted about them last week:

"English, female-fronted rock. And if you dare compare them to Paramore I'm likely to kill you. Just because it's a female fronted rock band doesn't make it like Paramore. Besides, Me And The Mountain are shitloads better than Paramore. The debut EP Ruthless is due out at the beginning of February - should be on the iTunes store."

How to expand on that? Well, their debut single Hands To Yourself  is pretty damn awesome. Brilliant video to go with it too. But what really made me fall in love was their acoustic session on McFly's Super City site. As it is, I'm rather inclined to say I'm more enamoured of Me And The Mountain than McFly (although, that's not all that weird - there's a lot of bands I love more than McFly, however much I adore them). Beautiful voice, beautiful music and there's a violin. Scrummy scrummy gorgeousness. You know what's also awesome? They did an acoustic cover of Biffy Clyro's The Captain and did it justice. Check it out on YouTube. Great harmonies. Gotta love that female/male vocal contrast.

What else to say? Other than that there's something stuck under my O key, so sorry if there's any missing. Hmm... how about, I want the EP now. I wanna hear these new tracks!  And I need to see them live - will have to see if I can catch them after I get back to the UK in June. Seriously, there must be something else I can say. Gah, forget it, I'll just end with - Me And The Mountain are awesome, very rock oriented and definitely worth checking out. So, go do that, let me know what you think and pass it on.

Assorted Me And The Mountain links:

No recommended tracks - just wait till the EP's out. Maybe I'll recommend some then. Till then, check their Myspace and YouTube.

Tuesday, January 25, 2011

Band Of The Week: super-mega-awesome feature... promise

Well, I didn't really feel like doing a proper Band Of The Week blog this week. So, instead, here's a few bands/artists I think everyone should check out.

Aamir al-Loki: Wonderfully odd self-described goth-pop. I'd put it closer to electronic rock, but goth-pop will do. Make sure to check out her new album Kill Your Demons. (Yes, I know I already wrote about her last week, but I'm just emphasising the point.)

Ahab: Funeral doom metal. I've never listened to doom metal in my life, but I'm pretty much in love with Ahab. Brilliantly atmospheric, plus their work's based on Moby Dick and whatnot. Someone on last.fm called it "whalecore". Made me smile.

The Damned Things: Pretty much straight up rock, with some melodic metal influences. Fall Out Boy + Anthrax + Every Time I Die evidently = a brilliant combination.

The Left Rights: Brainchild of Jimmy Urine and Steve, Righ? from Mindless Self Indulgence. Bizarre, crude, not all that imaginative, but good fun. Warning: may offend. No, seriously, may offend. I've seen the comments on some of their stuff.

Me And The Mountain: English, female-fronted rock. And if you dare compare them to Paramore I'm likely to kill you. Just because it's a female fronted rock band doesn't make it like Paramore. Besides, Me And The Mountain are shitloads better than Paramore. The debut EP Ruthless is due out at the beginning of February - should be on the iTunes store.

Get Scared: Post-hardcore type stuff. Or possibly rock with post-hardcore influences. Who needs this whole Black Veil Brides hype when you can have Get Scared and they're so much better?

The Blackout: More post-hardcore. Better live than on disc, so if you get the chance to see one of their gigs, take it. Although I warn you, it may mangle your knees. Check out their new track too - free download at the mo.

Last but not least, the wonderful Emilie Autumn, love of my life. Well, my musical life and she's a gorgeous woman too. Hey, a girl can dream. Ahem. Self-labelled "victoriandustrial", look out for the epic electric violin solos against industrial beats. On top of all that scrumminess is her voice. Eargasm, much. Seriously, go check her out. Hmm... maybe next week's band of the week can be for EA. Seeing as she's my favourite musician and all that and I don't babble about her enough. Mmm.

Anyways, go check them out, tell me what you think and pass it on.

Wednesday, January 19, 2011

Randomness: Downloading

I was going to write a post about the recent "rock is dead" crap. And then I got sidetracked and thought maybe I'd write about the X Factor and all it's associated bollocks. That brought me onto Biffy Clyro (who's track Many Of Horror got butchered by this year's X Factor winner) and that made me think about music downloading, legal or otherwise.

You see, I've now got a fair amount of Biffy Clyro in my library. Out of that, only 3 tracks were properly paid for. 4 tracks came from a free exclusive acoustic disc given away with Kerrang! last year and the rest I've taken from a friend. I am fiercely opposed to illegal downloading, so I should probably explain why I don't have a problem with sharing music with my friends. I know, if I give music to my friends, that at least I've paid for it. It's not like going on a file-sharing site and making it available for hundreds of people. That said, I was rather pissed off to find that most of the Biffy Clyro tracks my friend gave me are actually illegal downloads. My conscience kicked in and now I'm going to save up and buy them legally because I really don't like illegal downloads.

The reason I don't like illegal downloads is this. Quite simply, it's stealing. A lot of hard work goes into making music and so does a lot of money. What then, gives you the right to simply take it for free? An old advert they used to show in cinemas said "You wouldn't steal a computer, so why steal a movie?" or words to that effect. Surely the same applies to music? Just because it's not a physical entity (in the case of downloads), doesn't mean the same hard work hasn't gone into it.

Several people have said to me that they download illegally because they can't afford to buy it. What a load of shit. If you don't have the money to buy something, you don't steal it. You save up until you can afford it, just like you would with anything else.

I'm afraid I have to agree with all those people who have said that downloading has made music a disposable purchase. People hear a song, like it, download it illegally, listen a couple of times and never listen to it again. People expect to be able to get music free. And then when people like me point out to them that maybe the artist needs that money, they say they shouldn't be in it for the money. Let me say once again: a lot of money goes into making an album. You can't just magic it out of thin air. They have to make that money back somehow. And now, with the rise of illegal downloading, more money is actually made from touring and merch.

Ugh. In short, illegal downloading irritates the shit out of me, even more so when people try to justify it. And I'm going to leave it there, otherwise I'll just keep ranting.

Note to self: never ask a certain friend for music again. Just experienced another major problem with illegal downloads - the files aren't necessarily safe. Not sure what was wrong with it - no viruses found, could've been a corrupted file or something, but it crashed my laptop in exactly the same way said friend's laptop kept crashing last year. Hmm, coincidence much.

Monday, January 17, 2011

Band of the Week: Aamir al-Loki

Well, Band of the Week has been rather MIA the last few weeks. My bad. But it's back now - happy times all round! This week we have the lovely Aamir al-Loki, a solo project by a lovely lass I bumped into online.

Aamir al-Loki is a self-described goth-pop musician. Personally, I think there's more of an electronic rock influence than pop, but I can see the gothic tendencies - subject matter, tone and overall feel. I first checked her out some time last year when I asked for suggestions of new music on deviantART.com. I can't say I was all that enthralled at the time, but then I did just skim through the tracks available without really properly listening. I was also slightly put off by the somewhat silly artist bio. Then last week I was asked by the artist if I'd write a review of her new album, Kill Your Demons. Well, I needed some music to review for the group I run on dA, so I figured I'd have a look. This time I listened properly (you kinda have to when you're reviewing) and I fell in love. I downloaded the album within a couple of minutes of hearing the 30 second preview snippets, stuck it on repeat all day and the next day pumped out a glowing review. Said review has now been tweaked because no one wants to read my gushing about how brilliant it is. It is brilliant though.

That done, I had to download the debut album, It's Easier In The Afterlife. That's now going through it's fifth rotation since I bought it yesterday afternoon. I'm as much in love with that as I am with the new album. Now, instead of gushing some more about her brilliance, I'm going to attempt to explain why Aamir al-Loki is worth spending your money on.

Firstly, she has a voice which I would personally rate as one of the best I've heard recently. It puts me in mind somewhat of Emilie Autumn (who just happens to be my favourite musician EVER) - beautifully ethereal in parts and yet capable of turning harsh within seconds. The music reflects this, with hard electronic beats powering the tracks along underneath sometimes exotic sounding instrumentation. This is why I'm more inclined to label it electronic rock than goth-pop. Or maybe electro-goth. Can you have electro-goth or have I just made that up? Whatever.

I also love that there's so many little influences showing up. There's an instrumental track on Kill Your Demons called How To (Properly) Utilize Your Newfound Immortality. My first thought on hearing it was "this sounds like it's come out of the 80's". It's a lovely little chunk of synth-pop. I should have expected it really - I know she loves Tubeway Army.

What else to say? I love her. She's awesome. Go download her music now - (Kill Your Demons) (It's Easier In The Afterlife). Or if you're of the CD buying kind (which I would be if I had a CD drive, grr), and you live in the US, you can buy a physical copy of Kill Your Demons here. Check it out, let me know what you think and pass it on.

Assorted Aamir al-Loki links:
Myspace
Ourstage
Youtube

Recommended tracks:
From It's Easier In The Afterlife: My God, Guillotine, Myopia, It's Easier In The Afterlife, Let's Start A Cult
From Kill Your Demons: How To (Properly) Utilize Your Newfound Immortality, John 3:16, Romans, Khuda ke Bacchey, Kill Your Demons